SHANETRON.
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icatchfoxes:

So… a truck caught on fire in the parkinglot of my office today. NOT April fools…



The smoke monster has invaded Akron. Fuck.

icatchfoxes:

So… a truck caught on fire in the parkinglot of my office today. NOT April fools…

The smoke monster has invaded Akron. Fuck.
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Last night, The Antlers came to Akron, Ohio. Peter Silberman, the frontman of the band, made Akron more than it usually looks. “Akron, a welcoming city, I think.” It was his first time here.

They made an uncomfortable space a place for intimate sounds, they made a bad PA work for them, they made children into papparazzi with incessent flashing cell phone cameras, and they made grown men well up.
Peter played guitar (or really, played guitar, and then played the guitar effects, as guitar sounds swirled and swelled, and looped forever, and became unrecognizable). He was supported by two other musicians, an able drummer, and a man responsible for a theremin, a chord organ, a synth, a Roland bass, and yes, more pedal effects.

The band perfectly translated what seemed like an eclectic record, Hospice, into a cohesive group of songs. The unified sound stressed the musicianship and the concept of the record: falling in love with a dying woman and remembering both the good and the bad, as opposed to romanticizing only the positive as so often happens when a loved one passes on.

This adapted sound was of post rock descent with nothing going for it besides sheer emotion, it was as beautiful as it was depressing. It felt so far from natural, the voice washed in reverbed, the melodie signals slammed through effect after effect. The only thing connecting it to primal depression were the subtle drums, the innocent melodies, and the honest lyrics. 

People who have never faced loss have found this record to be an exhausting masterpiece of dedication to feelings not often shared (as noted here). For me, it was a testament to my understanding of what it feels like to suffer the loss of a loved one.
Overall, it was intensely depressing, and I couldn’t recommend it (enough, if you can handle it).

Last night, The Antlers came to Akron, Ohio. Peter Silberman, the frontman of the band, made Akron more than it usually looks. “Akron, a welcoming city, I think.” It was his first time here.

They made an uncomfortable space a place for intimate sounds, they made a bad PA work for them, they made children into papparazzi with incessent flashing cell phone cameras, and they made grown men well up.

Peter played guitar (or really, played guitar, and then played the guitar effects, as guitar sounds swirled and swelled, and looped forever, and became unrecognizable). He was supported by two other musicians, an able drummer, and a man responsible for a theremin, a chord organ, a synth, a Roland bass, and yes, more pedal effects.

The band perfectly translated what seemed like an eclectic record, Hospice, into a cohesive group of songs. The unified sound stressed the musicianship and the concept of the record: falling in love with a dying woman and remembering both the good and the bad, as opposed to romanticizing only the positive as so often happens when a loved one passes on.

This adapted sound was of post rock descent with nothing going for it besides sheer emotion, it was as beautiful as it was depressing. It felt so far from natural, the voice washed in reverbed, the melodie signals slammed through effect after effect. The only thing connecting it to primal depression were the subtle drums, the innocent melodies, and the honest lyrics.

People who have never faced loss have found this record to be an exhausting masterpiece of dedication to feelings not often shared (as noted here). For me, it was a testament to my understanding of what it feels like to suffer the loss of a loved one.



Overall, it was intensely depressing, and I couldn’t recommend it (enough, if you can handle it).
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I can’t wait.

I can’t wait.

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My New Years Resolution is to make this happen, with or without a film crew. I’m going to need a hang glider though.

My New Years Resolution is to make this happen, with or without a film crew. I’m going to need a hang glider though.

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mikenotmichael:

The Antlers are playing at Musica in January.  Who wants to go?

I’m in.
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I’ve been back in Akron ten days, and then I designed this poster, as inspired by how I feel about this city, and the first four words from Last Night In Town. In addition to the hours put into job hunting here, I’ve also been job hunting EVERYWHERE. Savannah, Austin, Omaha, Newark, and other obscure cities where no one will want to visit me just because I live in a “cool” city. Things would be better if I wasn’t still sick from that apartment complex in Chicago, or the swine elsewhere. Then again, I could be dead by that apartment complex, so things could be worse. Ughhhhhhhhhhhhhhhhhhhhhhhh.

I’ve been back in Akron ten days, and then I designed this poster, as inspired by how I feel about this city, and the first four words from Last Night In Town. In addition to the hours put into job hunting here, I’ve also been job hunting EVERYWHERE. Savannah, Austin, Omaha, Newark, and other obscure cities where no one will want to visit me just because I live in a “cool” city. Things would be better if I wasn’t still sick from that apartment complex in Chicago, or the swine elsewhere. Then again, I could be dead by that apartment complex, so things could be worse. Ughhhhhhhhhhhhhhhhhhhhhhhh.

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I’m glad I didn’t have to come up with a bullshit fifth.

I’m glad I didn’t have to come up with a bullshit fifth.

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I love the Midwest.

I love the Midwest.

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Arnie P in the spring.

Arnie P in the spring.

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Hindenburg/Goodyear. Akron’s the bomb.

Hindenburg/Goodyear. Akron’s the bomb.