Shanetron. RSS


Chicago 2016
In memory of
Derrion Albert


My name is Shane, and it's been lengthened to Shanetron by other people throughout my life, so I've co-opted it.

I give Bad Advice and I sometimes day dream about Things We'd Do With A DeLorean, we being my friend Ben and I.

I live in Chicago, and I have formerly attended SAIC.

I'm 22 right now, but I'll be young forever.

I'm interested in the things that give me the LOLZ, giving others the LOLZ, music, remixing music, Drank Beverage, contemporary art, contemporary fashion, graphic design, being fussy, crucial hangs and bedroom moshing.

If you're reading this and it isn't in Futura, my bad.



Download my
first EP,
"Smoke & Mirrors" HERE

email
Shanetron@gmail.com twitter
Shanetron
This Tumblr no longer
imports Twitter.

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Todd Moore

Archive

Mar
9th
Tue
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Jay Electronica walking through New Orleans

It’s so mind boggling to think that, in America, there is a whole section of an entire city displaced. It really paints the picture of Exhibit A, which is added at the end.

Sidenote: How cool is it that Jay lit a cigarette, took a drag, and gave it away to somebody in the audience? It wasn’t the first time either! He split a bottle of Jack with an audience during his recent outing in London.

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One of the most amazing things about Biggie’s music was that it was incredibly versatile.Take Juicy for example:


On Ready To Die, it was a feel good hit, a retrospective story from crime to hip hop, his big pop “get”. It was the least depressing song on the entire record (he ended his first record with the song Suicidal Thoughts, in which he ends up committing suicide on the record, after all). Back in 1996, it was pure magic.Fast forward to 2002, five years after BIG’s death: Bad Boy fell off, Eminem had blown up, Nelly was relevant, and BIG’s Brooklyn alumni, Jay-Z had made “it”. Obviously, BIG was still missed, and he was remembered, especially by Jay-Z, but specifically on A Dream:


On A Dream, Jay-Z gave us an introspective look on the pain of missing his old friend. Biggie’s first verse from Juicy is sampled here and used in a way that greatly pays homage to the G.O.A.T., where Jay shows that he’s learned from BIG’s mistakes, and understands the pitfalls to a luxurious lifestyle. At this point, BIG went from sounding like a hit party record to a bone chilling prophecy, with the same verse.In 2006, sampling hit the fan with Girl Talk. The thing about mash ups are that, sometimes they work very well, when both samples go together harmoniously, while most do not, and Girl Talk examples this on Smash Your Head:


In the beginning of the track, there are a lot of hard hitting, nearly dissonant sounds. Then, “it” happens. The great contrast that changes the meaning of the whole record. The Biggie sample (Juicy!) pops up, and then Tiny Dancer pops up, and it becomes a magical party record. The same verse goes from being a feel good radio hit, to a chilling prophecy, to a party record. What other rapper has ever achieved that through remixes after death?

One of the most amazing things about Biggie’s music was that it was incredibly versatile.

Take Juicy for example:


On Ready To Die, it was a feel good hit, a retrospective story from crime to hip hop, his big pop “get”. It was the least depressing song on the entire record (he ended his first record with the song Suicidal Thoughts, in which he ends up committing suicide on the record, after all). Back in 1996, it was pure magic.

Fast forward to 2002, five years after BIG’s death: Bad Boy fell off, Eminem had blown up, Nelly was relevant, and BIG’s Brooklyn alumni, Jay-Z had made “it”. Obviously, BIG was still missed, and he was remembered, especially by Jay-Z, but specifically on A Dream:


On A Dream, Jay-Z gave us an introspective look on the pain of missing his old friend. Biggie’s first verse from Juicy is sampled here and used in a way that greatly pays homage to the G.O.A.T., where Jay shows that he’s learned from BIG’s mistakes, and understands the pitfalls to a luxurious lifestyle. At this point, BIG went from sounding like a hit party record to a bone chilling prophecy, with the same verse.

In 2006, sampling hit the fan with Girl Talk. The thing about mash ups are that, sometimes they work very well, when both samples go together harmoniously, while most do not, and Girl Talk examples this on Smash Your Head:


In the beginning of the track, there are a lot of hard hitting, nearly dissonant sounds. Then, “it” happens. The great contrast that changes the meaning of the whole record. The Biggie sample (Juicy!) pops up, and then Tiny Dancer pops up, and it becomes a magical party record.

The same verse goes from being a feel good radio hit, to a chilling prophecy, to a party record. What other rapper has ever achieved that through remixes after death?

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Rest In Peace Christopher WallaceHere are some old Bad Boy tapes. Expect more Biggie commentary later.Bad Boy Vol I With DJ ClueBad Boy Vol II With DJ Doo WopBad Boy Vol III With DJ Stretch ArmstrongBad Boy Vol IV With DJ S&S

Rest In Peace Christopher Wallace

Here are some old Bad Boy tapes. Expect more Biggie commentary later.

Bad Boy Vol I With DJ Clue
Bad Boy Vol II With DJ Doo Wop
Bad Boy Vol III With DJ Stretch Armstrong
Bad Boy Vol IV With DJ S&S

Mar
8th
Mon
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Lil Wayne is finally in jail.I was questioning my concern over this rapper going to jail: why do I care so much? Why do I care if the rapper who said he’s in the “all black Maybach, I’m sitting in the asshole” is going to jail?I have an answer, and it’s this:


Lil’ Wayne - AmenThis song is what officially set off my care for Lil’ Wayne. It gives off that feeling of running on empty, enduring too much, but wanting to go on. It was emotionally relatable for me at the time, and it clicked with me in an exact moment: I was in a car, getting emotional over the loss of a friend, as my mom called me the moment after Wayne rasped “And I don’t never wanna see her (my mother) mope for me”. It was realizing that Wayne shared the same thought I had that made me fall for his music and what he had to say. “Real rap” indeed.

Lil Wayne is finally in jail.

I was questioning my concern over this rapper going to jail: why do I care so much? Why do I care if the rapper who said he’s in the “all black Maybach, I’m sitting in the asshole” is going to jail?

I have an answer, and it’s this:


Lil’ Wayne - Amen

This song is what officially set off my care for Lil’ Wayne. It gives off that feeling of running on empty, enduring too much, but wanting to go on. It was emotionally relatable for me at the time, and it clicked with me in an exact moment: I was in a car, getting emotional over the loss of a friend, as my mom called me the moment after Wayne rasped “And I don’t never wanna see her (my mother) mope for me”. It was realizing that Wayne shared the same thought I had that made me fall for his music and what he had to say.

“Real rap” indeed.

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KiD CuDi - Pursuit of Happiness

“I’ll be fine, once I git it. I’ll be good”
-Keith Buckley

This video > that video, mainly because this video is way more conceptual, and this video doesn’t feature Drake’s pause worthy faces, and this video features MGMT and Ratatat.

Even if this is still a “stoner” (SIDENOTE: I get it CuDi, you like weed, and Snoop and Dr. Dre cosign, but I’m more interested in hearing about your sleep patterns/dream cycles and relationships with people after spending a lot of time “trying to make it”), it’s still way better conceptualized than the lavish slow-mo party, with the “i’m so high i’m having an out of body experience” end.

Mar
7th
Sun
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I am so glad Reflection Eternal is coming back, because Talib hasn’t sounded as good since.

Mar
3rd
Wed
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Mar
2nd
Tue
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terrysdiary:

Lil Wayne

Weezy F. BabyThe F is for “Fuck Sobriety”. I can’t believe he’s going to jail today. I just hope Evil Empire can find a new way to make money.
Edit: maybe not today.

terrysdiary:

Lil Wayne

Weezy F. Baby

The F is for “Fuck Sobriety”. I can’t believe he’s going to jail today. I just hope Evil Empire can find a new way to make money.

Edit: maybe not today.
Feb
11th
Thu
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I remember being turned on to Sade by an older cousin I used to break dance with … me still being young, [I] couldn’t understand why in the hell he was listening to “old people music.” He used to cook me steak-ums and play Sade on repeat!!!!!! After a summer of that, I was hooked … Thanks, Why!!
— Pusha T

When most rappers talk, I choose to ignore, mostly because they talk about unreal things. I don’t care about the video sets you rent, I don’t care about how even though you don’t sell albums, you still have a lot of money, and I don’t care about your extracurriculars.

Except Pusha T (and a select few others, but, that’s for a later conversation).
Pusha, or Terrence, if you’d rather, is just a real person. He talks about his childhood and getting spoiled with whatever for Christmas. He makes fun of his brother for his Michael Jackson memorabilia collection. He bitches out his record label on the air for making him work on the weekend he was going spend putting granite tops in his kitchen. Terrence in interviews > your favorite rapper in interviews.
Feb
7th
Sun
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[Flash 9 is required to listen to audio.]

Jay Electronica - Exhibit C

Lately, this song has been lifting up my spirits. I’ve been trying to reconcile the string of every negative thing that’s happened in the past two years with the silver lining of it all. Recently I have been trying to build up hope, and remain hopeful, about what I’m working on and what’s next. Sometimes it’s not that easy.

When Jay raps about being without “a single slice of pizza” to his name, I can identify with his figurative and literal hunger. He further explains his situation of being down, homeless, fighting, but still, exclaiming his own pride, and confessing to having been spoke to by an angel, and with that, he offers his own silver lining in comparison to his negative past. He reconciles his current life style with what he wants next when his peers pose him with the prose of “You either build or you destroy.”

From there, Jay does both. He builds himself up by destroying the track, paraphrasing his peers by exclaiming “it’s quite amazing that rhyme like how you do and that you shine like you do like you grew up in a shrine in Peru.” Jay sincerely loves hip hop, and loves being honest, and it just feels good to hear it. I’m glad he’s spitting “that ‘he could pass a polygraph.’ that ‘Reverend Run rocking Adidas out on Hollis Ave.’”, because no one else is.

The grimy tales of crime, and the incessant naming of projects, streets, and neighborhoods, all add to authenticity. It’s also important to note that he doesn’t indicate himself in the crime. He acknowledges the fact that these things do happen, and even though he doesn’t participate, it’s a way of life he has seen, a way of life he doesn’t justify, but understands. He knows deep down that these actions are not progressive, and it is his want for progress that defines his reconciliation of the two (progressive lifestyle or the retroactive lifestyle), to further argue the point of progress. The maps and tales of his life strengthen that very argument into his own testament. Exhibit C indeed (Exhibit A being the second, Act I as the first).

He doesn’t consider his following as fans, but as family. His humbleness doesn’t go unnoticed. Finally, there is a rapper that’s being played on Hot 97 that isn’t talking down to us, but is talking with us, literally on Twitter/BBM/AIM.

It’s enlightening enough for me, an athiest, to want to change my Facebook religion to “Jay Elec-Hanukkah”. Well, either that or Team CoCo.